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© 2018 by Patricia Sandonis

Patricia Sandonis art installation, big sculpture, Gereon Krebber, PRAKSIS Oslo, Yoko Ono Grapefruit, contemporary art in Oslo, ready made, art and anthropocen, Bildhauerei, Art ad Monuments, Monumental temporal

Hang a photo you like 

Let visitors cut out their favorite parts and take them.

For Instance, if the visitor likes

Red, let him take all the red parts.

Ask many visitors to cut out their

Favorite part until the whole thing is gone

 

Photo until it becomes marble 

Yoko Ono 1961 summer

Foto until it becomes marble, 2018

Posters on tires and cellophane on fence 

The Monumental-Temporal, Fellesverkstedet & PRAKSIS, Oslo

Patricia Sandonis Art with pastic, sculpture, ready made, art in oslo, fragments in art, monumental temporal, Gereon Krebber, Yoko Ono Grapefruit, PRAKSIS Oslo
Patricia Sandonis Art with pastic, sculpture, ready made, art in oslo, fragments in art, monumental temporal, Gereon Krebber, Yoko Ono Grapefruit, PRAKSIS Oslo

Marble is one of the most used materials in the construction of monuments. The marble itself is considered a monumental material with a high value. The use of this material also has another purpose.  The eternal life of things. How long must last a monument? Do we need monuments? And if yes do we want future generations to inherit our monuments? The necessary precariousness in contemporary monuments leads to a dismantling of them and at the same time to a need to document that they once existed.

 

Photo until it becomes marble is an installation about the need for a new material that replaces other materials such as marble to approach the temporality required by contemporary monuments.

A ready made column monument of tires of cars with rest of posters found in the city is presented as an anti monument. Fences, conglomerate of a viscous substance full of remains of plastic, rubber, packaging and all kinds of waste of our present.